If you right click on a Fade clip, you have the option to adjust the fade shape and slope from the contextual menu that pops up.
#Pro tools 12.6 patch torrent pro#
With Pro Tools 12.6 you can now edit the fade shapes from the Edit window using the Smart Tool by dragging the Fade shape line to change the shape of the fade. There is no need to double click on the Fade to open the Fade window and then edit the Fade from there. Now there is a new Playlist Indicator (the blue downwards arrow in the example above to the right of the 'PianoMg' track name) that turns blue to show you that you have more than one playlist on that track maybe post users will use Playlist more. It was much clearer to tracklay ‘alt’ takes on extra tracks. One of the reasons that Post people gave to Avid during the consultations as to why they didn’t use playlists is that other members of the team didn’t know there were any alternative playlists in the session. You can then use the master playlist to quickly comp up the wanted takes, without having to pause the recording session whilst you create a new playlist to record onto. There is no need to go over to the Playlist drop down menu in the track title section of the Edit window to change playlists. New Key Command To Toggle Through PlaylistsĮven better, when you hold down Shift and use the Up and Down keys you can toggle through the playlists for that track.
Now in Pro Tools 12.6, if you move a clip around and you aren’t aware that you are going to cover clips that are beyond what you can see in the Edit window, Pro Tools now makes a graduated red border warning you that this move will cover over and remove a clip or clips that you cannot see. However the really clever bit is when you let go, it automatically creates a new playlist, so the clip that was covered up completely is no longer gone, it is simply moved onto another playlist. When you move a longer clip over a smaller clip Pro Tools 12.6 displays blue boundaries for the shorter clip that is underneath. Avid have also extended the transparency feature so when we move a clip over the top you can see through it to the clip underneath. Now when you delete the top clip, you don’t get a hole in the underlying clip.
So at its simplest, if you have a clip that you place ‘over the top’ of a longer clip, when the layered feature is turned on, we get a graduated shadow on both ends of the clip on top. Now with Pro Tools 12.6 it all happens automatically. This is going to save so much time, because before you would have to dig around the clip list create a new playlist, and then drag the clips out of the clip list using Spot so you can get them back onto the timeline in the correct place.
When you are recording, if a clip is going to be fully obscured then Pro Tools 12.6 automatically pushes it down onto a new playlist, so you can easily retrieve it 'in-place' and use it in any comping process. Now in version 12.6, Pro Tools can automatically create new playlists on the fly so that no clip is ever ‘recorded over'. Create New Playlists On The Flyĭuring a recording session having to stop and create a new playlist between each take could really slow up the creative process.
How many times have you dragged something out of the clip list or moved clips around the timeline in the Edit window and unwittingly covered over one or more clips without realising it, maybe for some time so using Undo will no longer fix it? Now with Pro Tools 12.6, this doesn’t happen anymore, and Pro Tools can warn you if you are about to obscure clips with a drag operation. Edit Audio Layers And Create Playlists More Easily When the session returns to an HD system it will again be possible to edit or modify the clip effects. However Vanilla users will be able to choose to Bypass or Render the clip effects. Pro Tools Vanilla Users Are Not Completely Left OutĪlthough this is an HD only feature, for easy and smooth collaboration and interoperability between any Pro Tools system, Avid have made sure that when you open a session with Real-time Clip Effects in Pro Tools Vanilla, users will be able to playback with those effects, you just won’t be able to edit or modify them. You cannot use any other plugin yet for this new real-time clips effects feature but we understand that Avid do plan to extend this to 3rd party plugins in the future, but for now it is just the Avid Channel Strip, but this is a major step forward for post work and is one of the features in the Ideascale top 20. This means that all real-time clip effects are pre Clip Gain so adjusting the Clip Gain will not screw up any Dynamics in use in Clip Effects. The signal path order now in Pro Tools 12.6 tracks is Elastic Audio, Clip Effects, Clip Gain, Inserts and finally the Fader.
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